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"The Poet" Ralph Waldo Emerson
- Part VII (Finale)

"The Poet" Ralph Waldo Emerson - Part VII (Finale)

Swedenborg, of all men in the recent ages, stands eminently for the translator of nature into thought. I do not know the man in history to whom things stood so uniformly for words. Before him the metamorphosis continually plays. Every thing on which his eye rests, obeys the impulses of moral nature. The figs become grapes whilst he eats them. When some of his angels affirmed a truth, the laurel twig which they held blossomed in their hands. The noise which, at a distance, app

"The Poet" Ralph Waldo Emerson - Part V

"The Poet" Ralph Waldo Emerson - Part V

This is the reason why bards love wine, mead, narcotics, coffee, tea, opium, the fumes of sandalwood and tobacco, or whatever other species of animal exhilaration. All men avail themselves of such means as they can, to add this extraordinary power to their normal powers; and to this end they prize conversation, music, pictures, sculpture, dancing, theaters, travelling, war, mobs, fires, gaming, politics, or love, or science, or animal intoxication, which are several coarser o

"The Poet" Ralph Waldo Emerson - Part IV

"The Poet" Ralph Waldo Emerson - Part IV

The world being thus put under the mind for verb and noun, the poet is he who can articulate it. For, though life is great, and fascinates, and absorbs, and though all men are intelligent of the symbols through which it is named, yet they cannot originally use them. We are symbols, and inhabit symbols; workman, work, and tools, words and things, birth and death, all are emblems; but we sympathize with the symbols, and, being infatuated with the economical uses of things, we d

Letters Upon the Aesthetic Education of Man - Part XXIII (Finale)

Letters Upon the Aesthetic Education of Man - Part XXIII (Finale)

Letter XXVII DO not fear for reality and truth. Even if the elevated idea of æsthetic appearance became general, it would not become so, as long as man remains so little cultivated as to abuse it; and if it became general, this would result from a culture that would prevent all abuse of it. The pursuit of independent appearance requires more power of abstraction, freedom of heart, and energy of will than man requires to shut himself up in reality; and he must have left the

Letters Upon the Aesthetic Education of Man - XXI

Letters Upon the Aesthetic Education of Man - XXI

Letter XXV WHILST man, in his first physical condition, is only passively affected by the world of sense, he is still entirely identified with it; and for this reason the external world, as yet, has no objective existence for him. When he begins in his æsthetic state of mind to regard the world objectively, then only is his personality severed from it, and the world appears to him an objective reality, for the simple reason that he has ceased to form an identical portion of

Letters Upon the Aesthetic Education of Man - Part XX

Letters Upon the Aesthetic Education of Man - Part XX

Letter XXIV ACCORDINGLY three different moments or stages of development can be distinguished, which the individual man, as well as the whole race, must of necessity traverse in a determinate order if they are to fulfil the circle of their determination. No doubt, the separate periods can be lengthened or shortened, through accidental causes which are inherent either in the influence of external things or under the free caprice of men; but neither of them can be overstepped

Letters Upon the Aesthetic Education of Man - Part XVIII

Letters Upon the Aesthetic Education of Man - Part XVIII

Letter XXII ACCORDINGLY, if the æsthetic disposition of the mind must be looked upon in one respect as nothing—that is, when we confine our view to separate and determined operations—it must be looked upon in another respect as a state of the highest reality, in as far as we attend to the absence of all limits and the sum of powers which are commonly active in it. Accordingly we cannot pronounce them, again, to be wrong who describe the æsthetic state to be the most product

The Raven

The Raven

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore— While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. “’Tis some visitor,” I muttered, “tapping at my chamber door— Only this and nothing more.” Ah, distinctly I remember it was in the bleak December; And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow

To Helen

To Helen

Helen, thy beauty is to me Like those Nicéan barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome. Lo! in yon brilliant window-niche How statue-like I see thee stand, The agate lamp within thy hand! Ah, Psyche, from the regions which Are Holy-Land! #Hele

Letters Upon the Aesthetic Education of Man - Part XV

Letters Upon the Aesthetic Education of Man - Part XV

Letter XIX TWO principal and different states of passive and active capacity of being determined can be distinguished in man; in like manner two states of passive and active determination. The explanation of this proposition leads us most readily to our end. The condition of the state of man before destination or direction is given him by the impressions of the senses is an unlimited capacity of being determined. The infinite of time and space is given to his imagination fo

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