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April 5, 2016

Chapter 67

 

Everyone in the world calls my Tao great
As if it is beyond compare
It is only because of its greatness
That it seems beyond compare
If it can be compared
It would already be insignificant long ago!

I have three treasures
I hold on to them and protect them
The first is called compassion
The second is called conservation
The third is called not daring to be ahead in the world
Compassionate, thus able to have courage
Conserving, thus able to reach widely
Not daring to be ahead in the world
Thus able to assume leadership
Now if one has courage but discards compassion
Reaches widely but discards conservation
Goes ahead but discards being behind
Then death!
If one fights with compassion, then victory
With defense, then security
Heaven shall save them
And with compassion guard them


Chapter 68

 

The great generals are not warlike
The great warriors do not get angry
Those who are good at defeating enemies do not engage them
Those who are good at managing people lower themselves
It is c...

February 24, 2016

Chapter 1

 

The Tao that can be spoken is not the eternal Tao
The name that can be named is not the eternal name
The nameless is the origin of Heaven and Earth
The named is the mother of myriad things
Thus, constantly without desire, one observes its essence
Constantly with desire, one observes its manifestations
These two emerge together but differ in name
The unity is said to be the mystery
Mystery of mysteries, the door to all wonders


Chapter 2

 

When the world knows beauty as beauty, ugliness arises
When it knows good as good, evil arises
Thus being and non-being produce each other
Difficult and easy bring about each other
Long and short reveal each other
High and low support each other
Music and voice harmonize each other
Front and back follow each other
Therefore the sages:
Manage the work of detached actions
Conduct the teaching of no words
They work with myriad things but do not control
They create but do not possess
They act but do not presume
They succeed but do not dwell on succ...

In our own day, many scholars, imitating Gorgias of Leontini, have been accustomed to dispute, not nine hundred questions merely, but the whole range of questions concerning all the arts and have been praised for it. Why should not I, then, without incurring criticism, be permitted to discuss a large number of questions indeed, but questions which are clear and determined in their scope? They reply, this is superfluous and ambitious. I protest that, in my case, no superfluity is involved, but that all is necessary. If they consider the method of my philosophy they will feel compelled, even against their inclinations, to recognize this necessity. All those who attach themselves to one or another of the philosophers, to Thomas, for instance or Scotus, who at present enjoy the widest following, can indeed test their doctrine in a discussion of a few questions. By contrast, I have so trained myself that, committed to the teachings of no one man, I have ranged through all the masters of phi...

December 10, 2015

But I digress. The connection of scenic exhibitions with the improvement or corruption of the manners of men has been universally recognized; in other words, the presence or absence of poetry in its most perfect and universal form has been found to be connected with good and evil in conduct or habit. The corruption which has been imputed to the drama as an effect, begins, when the poetry employed in its constitution ends: I appeal to the history of manners whether the periods of the growth of the one and the decline of the other have not corresponded with an exactness equal to any example of moral cause and effect. 

 

  The drama at Athens, or wheresoever else it may have approached to its perfection, ever coexisted with the moral and intellectual greatness of the age. The tragedies of the Athenian poets are as mirrors in which the spectator beholds himself, under a thin disguise of circumstance, stripped of all but that ideal perfection and energy which everyone feels to be the internal...

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Art, Music & Literature:
Facundo Raganato

Artistic Photographs of The Author:
Scott Redinger-Libolt
www.redphoto.com

Book Cover Design:
Patricia Gil &
Facundo Raganato

Book Cover Photo:
Laura Mintz

© 2014 by Facundo Raganato. 

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