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March 25, 2016

Chapter 57

 

Govern a country with upright integrity
Deploy the military with surprise tactics
Take the world with non-interference
How do I know this is so?
With the following:

When there are many restrictions in the world
The people become more impoverished
When people have many sharp weapons
The country becomes more chaotic
When people have many clever tricks
More strange things occur
The more laws are posted
The more robbers and thieves there are

Therefore the sage says:
I take unattached action, and the people transform themselves
I prefer quiet, and the people right themselves
I do not interfere, and the people enrich themselves
I have no desires, and the people simplify themselves


Chapter 58

 

When governing is lackluster
The people are simple and honest
When governing is scrutinizing
The people are shrewd and crafty

Misfortune is what fortune depends upon
Fortune is where misfortune hides beneath
Who knows their ultimate end?
They have no determined outcome
Rightness reverts to become...

October 24, 2015

Part Four: Time and Eternity

X

 

I DIED for beauty, but was scarce

Adjusted in the tomb,

When one who died for truth was lain

In an adjoining room.

  

He questioned softly why I failed?

“For beauty,” I replied.

“And I for truth,—the two are one;

We brethren are,” he said.

  

And so, as kinsmen met a night,

We talked between the rooms,      

Until the moss had reached our lips,

And covered up our names.
 

Emily Dickinson, without doubt, earned her title as one of the Masters of Literature. From the hundreds of poems she wrote throughout her life, even if she stored them secret in her desk drawer, comes the life of poetry, the spirit of art, the inspiration of writing, and the eternal aspects of Beauty and Truth.

“I died for beauty” is poem full of spiritual, artistic, and humanistic allegories which transcend time, space, and even death. Although there are many interpretations and analysis for this poem, the words contain a deeper meaning that will always reflect to the...

Most esteemed Fathers, I have read in the ancient writings of the Arabians that Abdala the Saracen on being asked what, on this stage, so to say, of the world, seemed to him most evocative of wonder, replied that there was nothing to be seen more marvelous than man. And that celebrated exclamation of Hermes Trismegistus, “What a great miracle is man, Asclepius” confirms this opinion.

And still, as I reflected upon the basis assigned for these estimations, I was not fully persuaded by the diverse reasons advanced for the preeminence of human nature; that man is the intermediary between creatures, that he is the familiar of the gods above him as he is the lord of the beings beneath him; that, by the acuteness of his senses, the inquiry of his reason and the light of his intelligence, he is the interpreter of nature, set midway between the timeless unchanging and the flux of time; the living union (as the Persians say), the very marriage hymn of the world, and, by David’s testimony but l...

July 3, 2015

It is hard to explain how alchemy, the philosopher’s stone, and the spiritual aspects of our human characteristics reflect themselves through Art. Music is primarily the essence of that, which we may symbolize and name it as “Beauty,” or “Truth” per se. However, it is because of Literature that we begin to understand it. It is because of Literature that we globally understand symbols of communication (that we call “words”) to perceive it, and share it. And it is through those words that we shade or light on that which is always with us, inside us, outside us, through us, and beyond us.
 

It was when Paul Verlaine was a young boy that he read Charles Baudelaire’ Les Fleurs de Mal and inspired him to write, consequently joining the other Parnassian poets. Maybe it takes such a vivid, dark poem like this to truly inspire the Reader in one way…or another…

 


 

"The Flowers of Evil"

By Charles Baudelaire
 

Infatuation, sadism, lust, avarice
possess our...

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Art, Music & Literature:
Facundo Raganato

Artistic Photographs of The Author:
Scott Redinger-Libolt
www.redphoto.com

Book Cover Design:
Patricia Gil &
Facundo Raganato

Book Cover Photo:
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© 2014 by Facundo Raganato. 

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