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Letters Upon the Aesthetic Education of Man - Part XX

Letters Upon the Aesthetic Education of Man - Part XX

Letter XXIV ACCORDINGLY three different moments or stages of development can be distinguished, which the individual man, as well as the whole race, must of necessity traverse in a determinate order if they are to fulfil the circle of their determination. No doubt, the separate periods can be lengthened or shortened, through accidental causes which are inherent either in the influence of external things or under the free caprice of men; but neither of them can be overstepped

Letters Upon the Aesthetic Education of Man - Part XVII

Letters Upon the Aesthetic Education of Man - Part XVII

Letter XXI I HAVE remarked in the beginning of the foregoing letter that there is a twofold condition of determinableness and a twofold condition of determination. And now I can clear up this proposition. The mind can be determined—is determinable—only in as far as it is not determined; it is, however, determinable also, in as far as it is not exclusively determined; that is, if it is not confined in its determination. The former is only a want of determination—it is withou

Letters Upon the Aesthetic Education of Man - Part XVI

Letters Upon the Aesthetic Education of Man - Part XVI

Letter XX THAT freedom is an active and not a passive principle results from its very conception; but that liberty itself should be an effect of nature (taking this word in its widest sense), and not the work of man, and therefore that it can be favoured or thwarted by natural means, is the necessary consequence of that which precedes. It begins only when man is complete, and when these two fundamental impulsions have been developed. It will then be wanting whilst he is inc

Letters Upon the Aesthetic Education of Man - Part XV

Letters Upon the Aesthetic Education of Man - Part XV

Letter XIX TWO principal and different states of passive and active capacity of being determined can be distinguished in man; in like manner two states of passive and active determination. The explanation of this proposition leads us most readily to our end. The condition of the state of man before destination or direction is given him by the impressions of the senses is an unlimited capacity of being determined. The infinite of time and space is given to his imagination fo

Letters Upon the Aesthetic Education of Man - Part XIV

Letters Upon the Aesthetic Education of Man - Part XIV

Letter XVIII BY beauty the sensuous man is led to form and to thought; by beauty the spiritual man is brought back to matter and restored to the world of sense. From this statement it would appear to follow that between matter and form, between passivity and activity, there must be a middle state, and that beauty plants us in this state. It actually happens that the greater part of mankind really form this conception of beauty as soon as they begin to reflect on its operati

A Defence of Poetry - Part XI (Finale)

A Defence of Poetry - Part XI (Finale)

A poet, as he is the author to others of the highest wisdom, pleasure, virtue, and glory, so he ought personally to be the happiest, the best, the wisest, and the most illustrious of men. As to his glory, let time be challenged to declare whether the fame of any other institutor of human life be comparable to that of a poet. That he is the wisest, the happiest, and the best, inasmuch as he is a poet, is equally incontrovertible: the greatest poets have been men of the most sp

Oration on the Dignity of Man - Part IX (Finale)

Oration on the Dignity of Man - Part IX (Finale)

I come now to those matters which I have drawn from the ancient mysteries of the Hebrews and here adduce in confirmation of the inviolable Catholic faith. Lest these matters be thought, by those to whom they are unfamiliar, bubbles of the imagination and tales of charlatans, I want everyone to understand what they are and what their true character is; whence they are drawn and who are the illustrious writers who testifying to them; how mysterious they are, and divine and nece

Letters upon the Aesthetic Education of Man - Part VIII

Letters upon the Aesthetic Education of Man - Part VIII

Letter XII THIS twofold labour or task, which consists in making the necessary pass into reality in usand in making out of us reality subject to the law of necessity, is urged upon us as a duty by two opposing forces, which are justly styled impulsions or instincts, because they impel us to realise their object. The first of these impulsions, which I shall call the sensuous instinct, issues from the physical existence of man, or from sensuous nature; and it is this instinct

A Poison Tree

A Poison Tree

"A Poison Tree" William Blake I was angry with my friend: I told my wrath, my wrath did end. I was angry with my foe: I told it not, my wrath did grow. And I water'd it in fears, Night & morning with my tears; And I sunned it with smiles, And with soft deceitful wiles. And it grew both day and night, Till it bore an apple bright; And my foe beheld it shine, And he knew that it was mine, And into my garden stole When the night had veil'd the pole: In the morning glad I see

Letters Upon the Aesthetic Education of Man - Part VI

Letters Upon the Aesthetic Education of Man - Part VI

Letter X CONVINCED by my preceding letters, you agree with me on this point, that man can depart from his destination by two opposite roads, that our epoch is actually moving on these two false roads, and that it has become the prey, in one case, of coarseness, and elsewhere of exhaustion and depravity. It is the beautiful that must bring it back from this twofold departure. But how can the cultivation of the fine arts remedy, at the same time, these opposite defects, and uni

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