The                                          The                                        The                                                The                                             The                                           The                                           The                                            The

Chapter 38 High virtue is not virtuous Therefore it has virtue Low virtue never loses virtue Therefore it has no virtue High virtue takes no contrived action And acts without agenda Low virtue takes contrived action And acts with agenda High benevolence takes contrived action And acts without agenda High righteousness takes contrived action And acts with agenda High etiquette takes contrived action And upon encountering no response Uses arms to pull others The

Chapter 28 Know the masculine, hold to the feminine Be the watercourse of the world Being the watercourse of the world The eternal virtue does not depart Return to the state of the infant Know the white, hold to the black Be the standard of the world Being the standard of the world The eternal virtue does not deviate Return to the state of the boundless Know the honor, hold to the humility Be the valley of the world Being the valley of the world The eternal virtu

Chapter 10 In holding the soul and embracing oneness Can one be steadfast, without straying? In concentrating the energy and reaching relaxation Can one be like an infant? In cleaning away the worldly view Can one be without imperfections? In loving the people and ruling the nation Can one be without manipulation? In the heavenly gate's opening and closing Can one hold to the feminine principle? In understanding clearly all directions Can one be without intellectua

But I digress. The connection of scenic exhibitions with the improvement or corruption of the manners of men has been universally recognized; in other words, the presence or absence of poetry in its most perfect and universal form has been found to be connected with good and evil in conduct or habit. The corruption which has been imputed to the drama as an effect, begins, when the poetry employed in its constitution ends: I appeal to the history of manners whether the periods