Letters Upon the Aesthetic Education of Man - Part VII
Letter XI If abstraction rises to as great an elevation as possible, it arrives at two primary ideas, before which it is obliged to stop...
Letters Upon the Aesthetic Education of Man - Part VI
Letter X CONVINCED by my preceding letters, you agree with me on this point, that man can depart from his destination by two opposite...
A Defence of Poetry - Part V
But I digress. The connection of scenic exhibitions with the improvement or corruption of the manners of men has been universally...
Letters Upon the Aesthetic Education of Man - Part IV
Letter VII CAN this effect of harmony be attained by the state? That is not possible, for the state, as at present constituted, has...
Letters Upon the Aesthetic Education of Man - Part III
Letter VI HAVE I gone too far in this portraiture of our times? I do not anticipate this stricture, but rather another—that I have...
Letters Upon the Aesthetic Education of Man - Part II
Letter IV THUS much is certain. It is only when a third character, as previously suggested, has preponderance that a revolution in a...
Letters Upon the Aesthetic Education of Man - Part I
Letter I BY your permission I lay before you, in a series of letters, the results of my researches upon beauty and art. I am keenly...
A Defence of Poetry - Part III
A poem is the very image of life expressed in its eternal truth. There is this difference between a story and a poem, that a story is a...
Beauty & Truth
Part Four: Time and Eternity X I DIED for beauty, but was scarce Adjusted in the tomb, When one who died for truth was lain In an...
Oration on the Dignity of Man - Part II
Who then will not look with awe upon this our chameleon, or who, at least, will look with greater admiration on any other being? This...